STUDIO N°5
  • Charcoal Drawing Black-beige Michel Batlle 1987 Handworked Frame, Non-reflecting Glass
  • Charcoal Drawing Black-beige Michel Batlle 1987 Handworked Frame, Non-reflecting Glass
  • Charcoal Drawing Black-beige Michel Batlle 1987 Handworked Frame, Non-reflecting Glass
  • Charcoal Drawing Black-beige Michel Batlle 1987 Handworked Frame, Non-reflecting Glass
Charcoal Drawing Black-beige Michel Batlle 1987 Handworked Frame, Non-reflecting Glass

€ 3.200 €


Charcoal abstract, figurative drawing in black color on beige paper from Michel Batlle, signed 1987 Handworked frame, with wihite-gilded decoration, non-reflecting museums glass Biographiy Michel Batlle: Michel Batlle was born in Toulouse on April 3, 1946. His father had fled to France during the Spanish Civil War. Batlle begins making a name for himself in 1966 with “Psychophysiographie” – a term that describes the graphic representation of interrelations between the human mind and body (creating imaginary anatomies in which minds and bodies merge). From 1966-1969 the artist focuses on radiographic art and specially conceptualized photography. In 1970 he abandons abstraction in favor of a new Expressionist form of figural art. From 1971-1975 Batlle specializes in performance painting and land art, creating critical parodies on the eccentricities of the modern international art market. In 1980 he first issues the magazine “Axe Sud,” which centers on new figural art and English sculpture. During this period, Batlle’s work is closely related to the art of the “transavantgarde” movement. Up until the end of the 20th century, Batlle dedicates himself to humanist themes (e.g. in a series of works called “guerres culturelles”). He returns to strictly physical subjects in 2000. In keeping with his global spirit and intercultural attitude, the artist has studios in Toulouse and Niger (Agadez). The following institutions have purchased works by the artist: Fonds international d’art contemporain – Paris Kiev Museum – Ukraine Philbrook Museum – Tulsa, Oklahoma (USA) Museo de Olot – Girona (Spain) Museum of Modern Art – Belgrade (Serbia) Pinacoteca di Capo d’Orlando – Italy Institut français du Kyushu – Fukuoka (Japan). W 79.5cm x D 4.5cm x H 105cm

Request for more information
See more items of this dealer
Print
STUDIO N°5
Address:
Hildmannplatz 1A ,
5020 Salzburg
Country: Austria
Tel.: +49 1777791184
E-mail: info@studio5-salzburg.com
Website: www.studio5-salzburg.com
Six Black Art Deco Dining Room Chairs Black-white Raydesign Colored Leather 1920s

Six Black Art Deco Dining Room Chairs Black-white Raydesign Colored Leather 1920s

Set of six elegant and comfortable French Art Deco dining room chairs, re-lacquered wooden frame with black shiny-gloss and completely re-upholstered with black and white colored leather in raydesign. With a special process a traditional nappaleather is printed in raydesign or galuchat-design. This "Galuchat" leather is named after the Frenchmann Jean-Claude Galuchat who at the court of Louis XV covered luxury objects in ray. W 45cm x D 42cm x H 88cm
Charcoal Drawing Black-beige Michel Batlle 1987 Handworked Frame, Non-reflecting Glass

Charcoal Drawing Black-beige Michel Batlle 1987 Handworked Frame, Non-reflecting Glass

Charcoal abstract, figurative drawing in black color on beige paper from Michel Batlle, signed 1987 Handworked frame, with wihite-gilded decoration, non-reflecting museums glass Biographiy Michel Batlle: Michel Batlle was born in Toulouse on April 3, 1946. His father had fled to France during the Spanish Civil War. Batlle begins making a name for himself in 1966 with “Psychophysiographie” – a term that describes the graphic representation of interrelations between the human mind and body (creating imaginary anatomies in which minds and bodies merge). From 1966-1969 the artist focuses on radiographic art and specially conceptualized photography. In 1970 he abandons abstraction in favor of a new Expressionist form of figural art. From 1971-1975 Batlle specializes in performance painting and land art, creating critical parodies on the eccentricities of the modern international art market. In 1980 he first issues the magazine “Axe Sud,” which centers on new figural art and English sculpture. During this period, Batlle’s work is closely related to the art of the “transavantgarde” movement. Up until the end of the 20th century, Batlle dedicates himself to humanist themes (e.g. in a series of works called “guerres culturelles”). He returns to strictly physical subjects in 2000. In keeping with his global spirit and intercultural attitude, the artist has studios in Toulouse and Niger (Agadez). The following institutions have purchased works by the artist: Fonds international d’art contemporain – Paris Kiev Museum – Ukraine Philbrook Museum – Tulsa, Oklahoma (USA) Museo de Olot – Girona (Spain) Museum of Modern Art – Belgrade (Serbia) Pinacoteca di Capo d’Orlando – Italy Institut français du Kyushu – Fukuoka (Japan). W 79.5cm x D 4.5cm x H 105cm
Charcoal Drawing Black, Beige, Red And White Michel Batlle 1987 Handworked Frame

Charcoal Drawing Black, Beige, Red And White Michel Batlle 1987 Handworked Frame

Charcoal abstract, figurative drawing in black-red-white color on beige paper from Michel Batlle, signed 1987 Handworked frame, with white-gilded decoration, non-reflecting museums glass Biographiy Michel Batlle: Michel Batlle was born in Toulouse on April 3, 1946. His father had fled to France during the Spanish Civil War. Batlle begins making a name for himself in 1966 with “Psychophysiographie” – a term that describes the graphic representation of interrelations between the human mind and body (creating imaginary anatomies in which minds and bodies merge). From 1966 to 1969 the artist focuses on radiographic art and specially conceptualized photography. In 1970 he abandons abstraction in favor of a new Expressionist form of figural art. From 1971 to 1975 Batlle specializes in performance painting and land art, creating critical parodies on the eccentricities of the modern international art market. In 1980 he first issues the magazine “Axe Sud,” which centers on new figural art and English sculpture. During this period, Batlle’s work is closely related to the art of the “transavantgarde” movement. Up until the end of the 20th century, Batlle dedicates himself to humanist themes (e.g. in a series of works called “guerres culturelles”). He returns to strictly physical subjects in 2000. In keeping with his global spirit and intercultural attitude, the artist has studios in Toulouse and Niger (Agadez). The following institutions have purchased works by the artist: Fonds international d’art contemporain – Paris Kiev Museum – Ukraine Philbrook Museum – Tulsa, Oklahoma (USA) Museo de Olot – Girona (Spain) Museum of Modern Art – Belgrade (Serbia) Pinacoteca di Capo d’Orlando – Italy Institut français du Kyushu – Fukuoka (Japan). W 79cm x D 4.5cm x H 104cm
Pair of French Mid-Centruy Gilt Iron Faux Bamboo Armchairs Offwhite Linen, 1980s

Pair of French Mid-Centruy Gilt Iron Faux Bamboo Armchairs Offwhite Linen, 1980s

Pair of French Mid-Centruy Gilt Iron Faux Bamboo Armchairs Offwhite Linen, 1980s Light-footed and stylish armchairs in bamboo design. The sides and the back are decorated with a large weave, the frame parts have a bamboo structure, the frame has a ribbed profile. The seat and back cushions have been renewed with an offwhite Linen fabric. The matte linen fabric complements the golden-brown patina very well. The last photo shows the chair with the linen fabric, the chairs with the boucle fabric are already sold. Very comfortable armchairs with strong charisma. (2 Pairs are available) Arm Height: 57cm.